Actions for Walking

The Gulag project is about the spatial and visibility control of political place.

Originally inspired by the system, called "Shinmoon-go" from the early 15th century Korea, reporting to the king unfair treatment of subjects by authorities, this project uses the drum wearer as a

Reflection and camouflage
A mirror reflects the image of surroundings. A mirror also conceals the human body or the object it is attached to.

Imagine what might be like to rediscover blindfolded the borough of Alfama: the narrow streets, the smell of grilled sardines, the sound of a Fado that can be heard from afar and so many others sen

This is the game of tag with city as the field in which people wear the t-shirts on which the QR codes are printed.

The modern museum is the grave of contemporary art:
contemporary art must invade the City, to stimulate the citizen and to become more appreciated.

The Wikibivouac is a collaborative map which reappropriates space to create new uses of the city.

The Metroscope is a service design project for la RATP (parisian subway and bus company) imagined by students at ENSCI - Les Ateliers.

“People watching” is something that happens unavoidably in urban (and most other) settings, yet we’re all a little bit shy about getting caught.

In an effort to bring a sense of the hollidays to the office building facing this frontyard, a simple walk in a pile of snow creates a snowman invisible to pedestrians, but visible to those working

Tokyo’s landscape is made up of signs, we can say. The letters and characters we see while we walk in the city, is deeply embedded in our minds. We cut off the letters, and collect it.

What do people stop for and how can you convince them to stop for something else? Urbanites are constantly commuting, only pausing to pay for something or to get to someplace else.

Transforming a narrow alley into an outdoor cinema, students Andrew Wolking, Rachel Isacoff, and Hannah Dewhirst created an exhibition meant to challenge and cross certain boundaries through a crea

Dressed in an artificial “bush” suit I would pose as urban vegetation on public sidewalks waiting for unknowing pedestrians to scare.

A simple recording of dust and hair balls in an underground tunnel serves as the action. Buildings have a peculiar way to evidence the presence of thresholds.

Go in search of underground streams.
When you find them, let others know they are there.